In this scene a group of extra survivors enter the mall and
the original group of survivors act to defend them from zombies so they can
make it into the mall. The audience see
Michael stand his ground against the zombies and he fulfils the male hero character convention in doing
so. Referring to the historical context,
he also fulfils the representation of
the 1990’s/2000’s “new man” which is a mixture of showing emotion and caring
(shown through his tender relationship with Ana) contrasted with moments like
this where he mercilessly kills zombies. Michael is also outside the cultural dominant ideology as he’s
divorced with 4 children, which is similar to Sam from Psycho who was also divorced and represents a subcultural group seen less often in
mainstream, non-horror films.
Using Andrew Sarris’ Auteur
Theory we can see how Dawn of the
Dead matches Zack Snyder's auteur
style as he heavily uses slow motion to lengthen the impact of bullets and
matches them with parallel dramatic
stings to connote warning and
build tension in the character's actions. Another Zack Snyder film where he
uses slow motion effectively is throughout Watchmen
in scenes like when ‘The Comedian’ is pushed through a window.
Using Thomas Schatz’s
genre theory we can see how this scene links into the action and horror
genre as it uses conventions such as
fast moving monsters in the form of
zombies, body horror, a male hero and is edited to a fast paced montage. These are
reoccurring throughout Dawn of the Dead and
perfectly match the conventions of
the action horror genre, also seen
in the zombie attack scenes from 28 Days
Later directed by Danny Boyle.
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